VictorAntonio(motivationalspeaker)paysavisittoindividualsstrugglingwiththeirfinances.ThroughatakeoveroffourdaysVictorteachesmoneysense.90dayslaterVictorcatchesupwiththecoupletoseewhatchangeshavebeenimplementedandreviewsthestatusofgoals.Writtenbykstoltz-80044

Prepare for a genre-bending horror mockumentary when a vlogger gains viral fame after one of his eerie videos contains an alleged out-of-this-world haunting. Following YouTuber Graham as he investigates the darker supernatural side of the web and dealing with the effects of being famous on the internet, this trip down a hellish rabbit hole includes interviews, cat videos, ripped YouTube content, fun nonsense, archive material, tension and unusual scares. Following in the footsteps of maverick independent filmmakers, this bold new feature is the perfect balance of horror and reality giving the found footage format a needed shot in the arm.

SUPERHUMAN: The Invisible Made Visible is based on the jaw-dropping experiences of individuals with extra-sensory powers that seem to defy the laws of physics known to man today. Producer and host Caroline Cory, who has her own extensive experience in the field of Consciousness Studies and Extra Sensory Perception, takes the viewers on an extraordinary journey to achieve tangible and measurable proof of these seemingly miraculous phenomena. Through a series of groundbreaking scientific experiments and demonstrations, viewers will find themselves connecting the dots about the true nature of their own consciousness, the relation between mind and matter and discover whether they live in a simulated matrix or if they can have control over their physical reality and create a fulfilling human experience. The film ultimately shows that once the invisible worlds are made visible, this attained higher awareness will transform humans into superhumans.

A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.

Two of the most notorious unsolved cases in the history of American crime – the murders of renowned rap stars Tupac Shakur and Biggie Smalls – have been the subject of exhaustive investigations, relentless speculation, and a web of conspiracy theories and dark secrets. Now, for the first time, the true story behind these sensational cases is laid bare in “Murder Rap: Inside the Biggie and Tupac Murders”. Using information sourced from hundreds of police case files, taped confessions never shown before, and interviews with the lead detective and witnesses, this is the riveting account of the task force that finally exposed the shocking truth behind the deaths of these two rap music icons.

She survived a brutal massacre, but lost her life. What happens to the final girl once the credits have rolled? Five years ago, a masked killer brutally murdered a group of friends. Since then, Camryn, the lone survivor, has tried to make sense of the homicidal events and struggled to reclaim her shattered life. Wracked with guilt and paranoia, can Camryn ever have a normal existence again or is she destined to cope alone forever? Part slasher movie, part character study, take a penetrating and intimate look at what happens to the remaining true victim of every horror movie.

It’s a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it’s a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.

June 14, 1941, 3 a.m. Over 40000 people from Estonia, Latvia and Lithuania are deported by Soviets to Siberia. Among them is a philosophy student Erna, a happily married mother of a little girl. Separated from her husband Erna and her daughter are dispatched together with other women and children to remote Siberian territories. Despite hunger, fear and brutal humiliation Erna never in next fifteen years loses her sense of freedom and hope of returning to homeland. The story is inspired by real events.

Veronica is a white-bread beauty searching for a good man in Los Angeles. While slam dancing at a Halloween rave, she meets Abel, a sensitive poet. Then she meets Zed, a supersexy tattooed drummer with incredible biceps. Who will she choose? Does she go for true love or cheap sex? She can’t decide so she chooses both. But after managing to nurture a picture-perfect threesome, along comes Ernest, a rich movie director with deep baby blues that sweep Veronica off her feet. What’s a girl to do now?

Anna’s story takes place on Åland Island in 1666, during the beginning of the most widespread and systematic witch-hunts in Scandinavian history. In all, 16 women were convicted of being in league with the devil, and seven of them were executed. For Judge Psilander, who has mastered the newest witch theories of the time, the trials are meant to cleanse the island of superstition, to have science and common sense prevail. The main character, the intelligent and stubborn Anna, gets an intimate view of the events, having just started working as a maid in the judge’s house. To Anna’s misfortune, she falls intensely in love with her friend Rakel’s husband Elias, but his infatuation with her quickly fades. A hurt and jealous Anna decides to get revenge and falsely reports Rakel to Judge Psilander. It’s only when Rakel is arrested, and things get out of hand, that Anna realizes the gravity of her doings.

LA homicide detective Gene Handsome’s knack for solving mysteries is matched only by his inability to make sense of his own problems.

Thomas Riedelsheimer’s landmark Rivers and Tides inventively documented artist Andy Goldsworthy as he created his wondrously ephemeral site-specific sculptures, spun from nature. Fifteen years later, Goldsworthy is still appealingly engaged in his philosophical and tactical exploration of the natural world. Leaning Into the Wind is a collaborative sequel—a visual and aural sensation that takes viewers into the hillsides, terrains, and other outdoor spaces where Goldsworthy feels most at home and inspired.

At the beginning of the 20th Century, Egon Schiele is one of the most provocative artists in Vienna. His life and work are driven by beautiful women and an era that is coming to an end. Two women will have a lasting impact on him – his sister and first muse Gerti, and 17-year-old Wally, arguably Schiele’s one true love, immortalized in his famous painting ‘Death and the Maiden’. Schiele’s radical paintings scandalize Viennese society while daring artists like Gustav Klimt and art agents alike are sensing the exceptional. But Egon Schiele is also prepared to go beyond his own pain and to sacrifice love and life for his art.

Set in an alternate universe, in a college called FAERYVILLE, a group of teenage misfits struggle to find themselves and make sense of their ‘purpose’. They decide that there is no reason in trying to fit-in, trying like ‘everybody’ to be ‘somebody’, choosing instead to mock the establishment, as pranksters – calling themselves The Nobodies. Now, what’s their plan? Frankly, they have no idea, until Laer, a transfer student, joins them and takes them on a warpath of self-discovery and no return. Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world – a fictional manifestation of very real issues prevalent in the Post 9-11 world.

An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.

Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he’s a Gallic James Brown, and a morose, micromanaging groom determined to make Max’s night as miserable as possible. But what makes the affair too bitter to endure is that Max’s colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It’s going to be a very long night… especially once the groom’s aerial serenade gets underway.

Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.

Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.

This documentary tells the story of Rose West from baby to mother to murderer. This is a side to the world’s most notorious criminal that viewers have never seen before – her childhood. Using incredible first-hand accounts from people who knew her as a child; neighbours, teachers, friends and relatives, we’ll go through the key turning points in her upbringing that made her the killer she was to become. By intercutting between her harsh childhood and the psychopathic tendencies she presented in later life and the despicable crimes she would go on to commit, plus with the advice of on-screen psychologists; the viewer will get a better sense of why Rose West became the serial killer of at least 12 young women.

Engaging, emotional and riveting, FAREWELL is an intricate and highly intelligent thriller pulled from the pages of history— about an ordinary man thrust into the biggest theft of Soviet information of the Cold War. Ronald Reagan called this piece of history – largely unknown until now – “one of the most important espionage cases of the 20th century.” FAREWELL begins in 1981, after the Soviet invasion of Afghanistan. A French businessman based in Moscow, Pierre Froment, (Guillaume Canet) makes an unlikely connection with Grigoriev (Emir Kusturica), a senior KGB officer disenchanted with what the Communist ideal has become under Brezhnev. Grigoriev begins passing Froment highly sensitive information about the Soviet spy network in the US.

Javier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories, instinct and denial, and the mourning’s harsh feelings will compromise his sense of reality. Surrounded by doubt, and subjected to several addictions, Javier fights to find peace – until his lattermost move take him to a surrealistic emotional purgatory. The absurdity in which Javier finds himself might be a way out of the pain, and his redemption to love and all endings. But first he needs to confront his demons and to take one last chance into the pleasures of the flesh.

Joseph, Matthew and Andrew Lawrence (TV’s Brotherly Love) star in this thrilling, action-packed sequel to the Disney Channel Original Movie Horse Sense. It’s first-class adventure on the high seas for Michael Woods (Joseph Lawrence) and his cousin (Andrew Lawrence) when they charter a private yacht for a fun-filled cruise off the coast of Australia. But the yacht turns out to be a broken-down fishing boat complete with rusting hull! When they find themselves being chased by modern-day pirates, they decide that Jumping Ship with the boat’s captain Jake Hunter (Matthew Lawrence) is the only option. Stranded on a desert island without any conveniences from home, these three castaways must work together as a team if they hope to survive and be rescued.

In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.

Depicts the love lives, jealousies and desires of those that work within the Sanguiwon during the Joseon Dynasty period. The Sanguiwon are responsible for the attire worn by royalty. Dol-Seok (Han Suk-Kyu) is the best master artisan in charge of royal attire. He views set rules as paramount to his job. Kong-Jin (Ko Soo) is a genius like designer, born with dexterity and an excellent sense. He was brought to the palace by nobleman Pan-Soo (Ma Dong-Seok) who first spotted his talent. The King (Yoo Yeon-Seok) and Queen (Park Shin-Hye) then become embroiled in a critical case because of the royal attire made by Dol-Seok and Kong-Jin.

One room. One man. One decision. Not by many words, but by pure emotion, the movie Countdown gradually, but completely overwhelms the viewer, leading one into a very intimate world of a young man, where an intense battle between his desire for life and an unbearable sense of guilt takes place.

A wealthy banker lies brutally murdered. The bankers daughter and only heir, Rana (Alex McKenna) calls upon Cyrus (Randy Wayne) a brilliant but eccentric freelance writer, to assist in the investigation. Teaming up with homicide detective, Leon Weed (Sean Astin), Cyrus and Leon are quickly thrust into the cryptic world of Freemasonry, pursuing a legendary relic. They begin by interviewing Grandmaster Sheldon Lombard (Richard Dutcher) and a 32nd Degree Freemason named Jericho Beck (Joseph James). As the evidence leads them to a few select members of the bankers inner circle, the duo is forced to examine elements beyond their natural senses- and must do so quickly before the killer strikes again!

The Samurai Cop is here to kick ass and chew bubblegum, and he’s already infringed on enough movies and cliches so he’s just going to stop with that introduction right there. Yes, the cop they call Samurai has travelled to Los Angeles from a faraway land they call San Diego. Because it would just make no sense to have the movie take place in San Diego, or to have the cop be from LA to start with. Or, y’know, Japan. Decapitations, explosions, poorly subbed in stunt doubles, mangled dialogue, prominent lion heads, and unfortunate banana hammocks abound in this extremely eighties-y nineties movie. Join Mike, Kevin, Bill, and Alfonso Rafael Federico Sebastian for Samurai Cop.

Two years ago reporter Kate Fisher’s interview with the man who turned out to be a serial killer sparked public outrage. Not believing that this man was in fact the September Slayer – led to another senseless murder. Had Kate turned over the interview to the authorities would Laura Rose still be alive? After losing her husband, her job and sense of self, she is now making a fresh start as a professor of ethics in the media. But someone out there can’t forget her past. Kate must figure out which one of her students wants her dead before it’s too late for her and her young son.

RICHARD, 15 with learning difficulties, longs to put down roots but his restless and destructive brother, POLLY, needs to keep moving. When the land they live on is bought by a new landowner, and the electricity supply to their caravan is cut, their already precarious living conditions get even worse. Then a chance meeting with the new landowner’s daughter, 17 year old ANNABEL (Yasmin Paige), leaves RICHARD besotted; whilst POLLY befriends the guys who run a seedy traveling fair. Richards optimistic view on life becomes increasingly difficult to maintain as Polly’s abusive behavior worsens, family secrets are revealed, and he is torn between loyalty to his brother and his first true friend in ANNABEL. For better or worse, Richards life is about to change forever.

Of Two Minds explores the extraordinary lives, struggles and successes of three unique and compelling people living with bipolar disorder in America today. Through a combination of intimate verité and revealing interviews, we experience what it feels like to be bipolar – from exquisite feelings of grandiosity and sensuality to the depths of despair and depression. A journey from the painful to the painfully funny, Of Two Minds puts a human face on the illness, opening an engaging, harrowing and perception-changing view on those all around us who live in bipolar’s shadows…our sisters and brothers, parents and friends, and ourselves.

The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band

While running from a drug deal gone bad, Mike Ross, a brilliant young college-dropout, slips into a job interview with one of New York City’s best legal closers, Harvey Specter. Tired of cookie-cutter law school grads, Harvey takes a gamble by hiring Mike on the spot after he recognizes his raw talent and photographic memory. Mike and Harvey are a winning team. Even though Mike is a genius, he still has a lot to learn about law. And while Harvey may seem like an emotionless, cold-blooded shark, Mike’s sympathy and concern for their cases and clients will help remind Harvey why he went into law in the first place. Mike’s other allies in the office include the firm’s best paralegal Rachel and Harvey’s no-nonsense assistant Donna to help him serve justice. Proving to be an irrepressible duo and invaluable to the practice, Mike and Harvey must keep their secret from everyone including managing partner Jessica and Harvey’s arch nemesis Louis, who seems intent on making Mike’s life as difficult as possible.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

Frank & Ava joins the wild ride of the tempestuous relationship between icons, Frank Sinatra and Ava Gardner showing their multi-year love affair and subsequent marriage. In 1949, a downcast Frank, his career on the wane because of a faltering voice, a failing marriage, and a tarnished off-screen reputation falls in love with rising star, Ava, by consensus, the most beautiful woman in Hollywood. While their love was incandescent, they were hapless as a couple; often pursued by reporters such as Hedda Hopper who played them off against each other in the tabloids; casting Frank as an adulterer and Ava as a home wrecker while Frank!s wife, Nancy Barbato, refused to grant him a divorce. Once married in 1951 the tabloids then paraded their sorted affairs whenever their careers separated them. (Often it was Ava who went off to Europe or Africa to make a movie, leaving Frank behind). In the meantime, Frank, career hanging by a thread, is desperately trying to land the acting job that he …